As I sit today on the eve of a "symbolic" election in Ethiopia, I am taken back 21 years to how I spent the election eve of the historic 2005 election. One thing I remember was listening to Teddy Afro's Jah Yasteserial song repeatedly with joy, hope, fear, anxiety, excitement – lots of mixed feelings. Today, I played Teddy's new song Das Tal, but lost the courage to listen to it again — with great sadness, and a feeling of loss and sorrow for my country, Ethiopia. The first time I listened to Das Tal alone when it was released a few weeks back, paying attention to the details, it took me back 20+ years to when I listened to Yasteserial in a similar way – on my desktop, late at night, after one of those chaotic days during that time. Fact – Yasteserial was the very first CD I ever bought in my life. Yes, at the time, my computer was my all-in-one – my CD player, watching movies on DVD, playing games, doing side gigs, and of course my school projects (sorry if any Gen-Z is reading this – CDs and DVDs may sound alien, but they were our Spotify/Netflix at the time 😊). Street vendors used to keep the Yasteserial CD behind their backpacks and only sell it when they felt comfortable, fearing intimidation by government security. I myself had to take a long route – asking a friend whose uncle had one of those DVD/VCD rental stores to get me Teddy's album – so that I could get it from a trusted source, for fear of being traced buying the Yasteserial album. A little background on why I had to take such precautions for something seemingly so simple. Due to the passage of time and, of course, life, my memory may not serve me well on the timeline and exact events of what I am trying to say here, but the core story and context stay valid, and I apologize if I misrepresent any details when talking about things 20+ years ago. Not to mention I was just a young man in my early twenties at the time, and my mind has been rewriting a lot since then as I grow older, so that the events of that time feel like a different era and generation, despite it only being two decades ago.
Now, back to my story. I was actively involved in the 2005 election supporting Kinijit, and it was such a high-tension time that I started to be conscious about what I did so as not to end up in the government's hands. The months leading to May 2005 were when the EPRDF was in panic mode, rounding up and intimidating those involved in opposition groups. I was a student at AAU at the time, but due to my closeness (family and relatives) to some members of the opposition parties, I was following the 2005 election very closely from a very early stage – probably before the general public was awakened to get involved in that historic election. So at that time – before the government entered panic mode, and during the period when the late Meles Zenawi made a speech in parliament complaining there was no strong opposition party in Ethiopia and that he "prayed" to have one – my activities were pretty open: emailing all the contacts I used to send funny stuff to, now about the election and advertising the opposition parties; doing the same with family and friends in gatherings; texting all the contacts on my phone (even though there were few of them at the time); wearing the 'miret/mirech alegn' ("I feel like voting") T-shirt (distributed, I think, by the Addis Ababa Chamber of Commerce or Inter-Africa Group) on the AAU campus and telling everyone to register to vote (I myself got my first-ever 'Kebele' ID to prepare for voter registration). So I was doing all of that out in the open, without fear, thinking it was indeed going to be a democratic election as promised by Meles Zenawi and Bereket Simon.
But come April 2005 – the peak of the intimidations, just weeks before the election – the government's strategy was to halt the overwhelming public support for the opposition, especially Kinijit. The EPRDF saw the writing on the wall – that they were going to lose the election, especially in the urban areas they were guaranteed to lose – and they did not want to sit back and let that happen. Instead, they were jailing and harassing anyone they came across who was involved with the opposition. So it was during this high-tension time that Teddy Afro released Yasteserial, which fueled the awakening of the public, reflecting on the decade-plus dictatorship of the EPRDF. With what seemed to be a partially democratic election, Ethiopians, for the first time in many years, thought there was actually hope to choose their own government through the ballot box. The opposition also saw the scale tilt in their favor after Teddy Afro's Yasteserial. On the other side, though, this was probably something the government never expected to drop at that moment, and they needed to do damage control on something they had not been prepared for at all – a singer, with his lyrics and reggae melody, galvanizing a large audience and awakening something they could not even control. It doesn't mean Bereket Simon's office didn't try – the government responded by harassing the street vendors (mostly kids trying to meet their needs by selling CDs and books), banning radio stations from airing the song (any Teddy Afro song, for that matter), and harassing any music store or bar that played Teddy's songs. This and other reasons made me cautious and careful in obtaining the CD, as if I were buying illegal material. I have always thought I'm more useful outside than behind bars, so after learning of the EPRDF's aggressive actions in the months leading to the 2005 election – against anyone who came in its way – I kept a low profile and made measured steps, while still supporting the election's success with the little hope that was there.
The only broadcast I can remember was on one of the FM stations in Addis, where the prominent journalist Meaza interviewed Teddy himself about the album on her iconic 'Chewata' show. The interview happened either a couple of days after it was released, or on the weekend of 'Dagmawi Tinsae,' a week after Ethiopian Easter. One thing from the interview that touched me: they talked about many touching points on hope and what Ethiopia was going through. During that interview, I remember Teddy saying that he was listening to the Yasteserial song while driving to Awassa at night, in tears. I had not listened to the song yet at the time of that interview, but it made me eager to hear the message that made him feel that way. The rest was history… until Das Tal, after 21 years! Released around the same time, following Ethiopian Easter, and as the current dictatorial government of Ethiopia prepares for an election that is dead on arrival. Despite the similar timing of Teddy Afro's album releases, the contrast in their message cannot be more different, and so are the elections held by the "two" regimes. I put "two" in quotation marks because the regimes are not so different (more like the original EPRDF back then and now, EPRDF 2.0, a.k.a. the Prosperity Party) – they share many of the same people in leadership – yet at the same time they are different. My idea today is not to compare the "two" regimes in detail, but just during the timelines of Teddy Afro's song releases.
Starting from the title of the song, Teddy went from Jah Yasteserial (God forgives) in 2005 to Das Tal (put up a mourning tent) in 2026.
In Yasteserial, Teddy preached forgiveness – if a ruler only punished his predecessors the way they were punished before, he argues there is no change except a new king. In Das Tal, despair doesn't even give him the luxury of comparing rulers.
In Yasteserial, Teddy was hopeful for a Moses to part the sea and lead Ethiopians into hope. In Das Tal, Teddy asks where one can mourn when his homeland "dies."
In Yasteserial, Teddy was sure Ethiopia's renaissance was coming if we prayed with love, in unity. In Das Tal, he stresses the need to rise up, comparing it to the twelve sheep swallowed by one tiger because they were silent.
In Yasteserial, he cried, isn't the daybreak coming? — eager for it to end. In Das Tal, he asks how much deeper the dark still has to fall, with no end.
In Yasteserial, Ethiopia was a living mother who would hear her children weep. In Das Tal, Ethiopia has fallen, and there is no quiet corner left to grieve her in.
In Yasteserial, forgiveness was the road to a land of hope, the way Mandela chose mercy over the dagger. In Das Tal, he asks how one can be silent when the gold he lent was repaid in pebbles.
In Yasteserial, Teddy asks the politicians running for election to forgive each other, to let us see if they are capable of loving the citizens. In Das Tal, he demands that the fake leader – who pretends to love Ethiopia while doing the opposite – stay out of the way.
In Yasteserial, Teddy preaches that when her children love each other, God will listen to Ethiopia. In Das Tal, Teddy despairs about how much worse the agony can get.
In Yasteserial, Teddy ended the song with "stand up, Ethiopia, pray to God." In Das Tal, Teddy urges us to take the flag up from the ground and hoist it high!
Just like the contrast between Teddy Afro's songs then and now, on the ground in Ethiopia things have gotten to the worst, with no hope in sight. As much as we struggled against the regime in 2005, that election period was filled with some hope, and a real possibility that Ethiopia could have started a journey toward a democratic system – one that, by now, would have been an "adult" democracy. Unfortunately for us, the terrible situation Ethiopia is in now makes what was happening in 2005 feel like a dream.
To compare the situations on the ground in Ethiopia between the two songs' release timelines:
Yasteserial (2005) was released when Ethiopians were very enthusiastic about the election that took place in May 2005.
Das Tal (2026) was released as Ethiopians are being burdened by the upcoming election taking place tomorrow, June 1, 2026, with intimidation to forcefully register to vote, and no real, viable option to vote for.
2005 – multiple strong opposition parties were campaigning strongly.
2026 – a handful of opposition parties are present in name only.
2005 – journalists were writing articles, many supporting the ideas and policies brought by the opposition and criticizing the government.
2026 – the government's thin skin doesn't allow it to tolerate even benign critics, let alone professional journalists.
2005 – Ethiopians were closely following the process; you could see people reading the dozens of newspapers that came out daily.
2026 – Ethiopians no longer have the option to read free and independent newspapers.
2005 – debates by political parties were so interesting and relevant that citizens used to watch those debates live on weekends.
2026 – fake debates are being transmitted via government-owned media that nobody cares to watch.
2005 – citizens were getting their voting cards well in advance, mostly voluntarily.
2026 – the government is forcing citizens to get multiple voting cards.
2005 – prominent and well-known local and international election observers (including the EU, Carter Center, etc.) were actively preparing to observe the historic election.
2026 – not a single word about international election observers.
2005 – many international media and journalists were following the election very closely, traveling to Ethiopia.
2026 – no notable international media or journalist in the country to follow the election.
2005 – not a single civil war to prevent elections from happening.
2026 – active civil war in two of the most populous regions – Amhara and Oromia – and on the brink of another civil war in Tigray.
The only thing slightly common between the times those songs were released was how each government reacted toward Teddy Afro after the album releases – though the magnitude of the reaction is very different. The regime led by the EPRDF at the time banned Teddy Afro's songs from government-owned media, intimidated those who sold the CDs, and prohibited music shops, bars, and restaurants from playing his songs. The cadres started splitting hairs over his Yasteserial song and tried to make it look like it was against the one ethnic group the TPLF stems from, the Tigrayan people. When I was a little kid – around the time the EPRDF overthrew the Dergue in 1991 – when I played at my Tigrayan neighbors'/friends' house, I remember TPLF soldiers (their relatives) coming to the house with their rifles and guns, their long afros, wearing the small shorts, plastic sandals, and scarves. That was like a trademark, and I used to associate that outfit with my friends' soldier relatives. Even after the struggle ended in victory and the EPRDF became the government, I saw some Tigrayan singers performing songs in that outfit. Teddy, in his lyrics, used the line "basra'sebat merfea beteqemew qumta, lelewit yagoferew zufan lai siweta" (roughly translated: "those afros who fought for change wearing shorts sewn by 17 needles" – 17 representing the TPLF's years of struggle to topple the Dergue). Just because Teddy had this phrase in his lyrics, the government and its cadres repeatedly twisted the song as if it were a negative view against ALL Tigrayans – which was not the case. Teddy was specifically talking about the government leading the country, not an entire ethnic group. Unfortunately, the repeated noise from the government and the propaganda from the cadres did win the narrative, and even my Tigrayan friends' mothers – who never listened to Yasteserial, or any Teddy Afro song for that matter – hated Teddy.
A similar narrative won in today's Ethiopia. Das Tal was portrayed the same way – by the government, by the Prosperity Party's digital "soldiers," and even by high government officials who, in a country with so many unthinkable problems, seem to have lots of time to split hairs, going out of their way to dissect each line of the Das Tal lyrics. Just like many of the terrible things the current Ethiopian regime escalated from its predecessor, this time they took it even further – throwing in millions to produce songs by popular Oromo musicians attacking Teddy and his message in Das Tal. Just like the TPLF's EPRDF, Oromia's Prosperity Party repeatedly tried to frame the song as if it were against one ethnic group – the Oromos. One thing that remained consistent through these two timelines and regimes is that Teddy Afro's messages, in any of the songs, were never targeting any ethnic group, but the rulers themselves. If anything, Teddy has always kept preaching love, unity, and his undying love for Ethiopia.
Teddy's voice in both songs feels like he was crying inside as he sang them. The difference: in Yasteserial, that sad-sounding voice carried the pain the country had been through, but you could also feel his hope, especially with the enthusiasm toward the 2005 election. A feeling of the dawn of hope. Teddy's tone in Das Tal is completely different. He sounded lost, no hope left, grieving his beloved country's demise. The regime in 2005 imprisoned him a few years later on trumped-up, unrelated charges, and let him go after a couple of years. With the current government and its cruelty, prison could be the best he could hope for, given the hatred they have toward Teddy Afro after Das Tal. Teddy has already told them that sacrificing himself for Ethiopia is something he is ready for, rather than staying silent any longer. I pray God protects him.
My feelings were no different. I cried when I listened to Jah Yasteserial – not out of sadness, but out of hope that ideas, and not guns, were winning the hearts of Ethiopians, and that citizens were eager to practice our natural sense of freedom. For once, there was a feeling of hope – we thought we were going to have a government through the ballot, and start the same journey many democratic countries took in their history before becoming what they are today. For many decades, Ethiopians never imagined change could happen through voting. In our lifetime, we only knew regime changes through blood. Regardless of the devastating agony that returned after the evening of May 15, 2005, the days leading up to that day, and the election itself, were as promising as it could get for Ethiopia. I cried again when I listened to Das Tal – this time with completely lost hope, and darkness. Too much bloodshed from the multiple ongoing civil wars and ethnic clashes; lives perishing just because of their ethnicity; cruelty to human beings like we have never seen before, celebrated and recorded for everyone to see. What Ethiopians do to each other would terrify even the hunting animals in the wild that live their lives by preying for food. Too much blood. May God help Ethiopia.

